Schloss Eltz On The Moselle
Represented work of art
Material
Dimensions0.159 x 0.222 (6 1/4 x 8 1/4 inches)
Work type
Subject
Technique
- painting (image-making)
Provenance
- Elhanan Bicknell; his sale Christie's, 29 April 1863 (260), bought Agnew's who sold it 6 May 1863 to John Smith; his sale Christie's, 4 May 1870 (51) bought Agnew's; John Edward Taylor; his sale Christie's, July 1912 (89), bought Gibbs; Mrs Leonard Elmhirst, her sale Parke Bernet, New York, 27 May 1942 (185), bought Victor Spark; Walter Wedgwood; Agnew's
Exhibition history
- Guildhall, London, Turner, 1899 (161); Agnew, Annual Exhibition of Watercolours Drawings, 1929 (7); Agnew, Centenary Loan Exhibition of Turner Watercolours, 1951 (120); Agnew, Loan Exhibition of Paintings and Watercolours by J. M. F. Turner Royal Academy of Arts, 1967 (94); Agnew, 106th Annual Watercolour Exhibition, Jan-Feb 1979 (94)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Thomas Agnew and Sons Ltd.
Negative NumberA6031
Archival context
Object numberPA-F05204-0037
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes-Germany & Austria; Identified, A-Z; Watercolours
- Item:Schloss Eltz On The Moselle
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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