Sketches Of Scenery In The North Part Of Lancashire And In Cumberland And Westmorland
Represented work of art
Artist
Thomas Sunderland
Dimensions18.5 x 28.5 cms. (7 1/4 x 11 1/4 inches)
Work type
Technique
- drawing (image-making)
Inscription
- The frontispiece inscribed To mrsigned Braddyll from her Affectionate Friend, Thomas Sunderland, Ulverston 6 December 1802. ); Inscribed On Adjacent page: Rydal hall, Sr. Michael le Fleming"s Bart. And Rydal-headated Little Rydal belonging to Mr. Knott is seen near Rydal Hall a little to the left of it. This View is taken from a Field on the left of the Turnpike Road from Ambleside. Westmorlandated
Provenance
- Wilson Braddyll Esq. , Mrs P. R. G. Braddyll sale, Sotheby's, 21 March 1974 (Lot 4) bought Leger Galleries
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM6173
Archival context
Object numberPA-F05539-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Sketches of Scenery in Lancashire, Cumberland & westmorland.leger Gallery (1974)
- Item:Sketches Of Scenery In The North Part Of Lancashire And In Cumberland And Westmorland
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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