The Valley Of The Washburn, Otley Chevin In The Distance
Represented work of art
Material
Dimensions0.33 x 0.406 (13 x 16 inches)
Work type
Subject
Technique
- drawing (image-making)
- painting (image-making)
Provenance
- Walter Fawkes, Farnley Hall; By descent to W. R. Fawkes; Christie's, 2 July 1937 (48), Dr. Rosamund Harding 1951; W. A. H. Harding Trust, sale, Christie's, 15 November 1983 (181), Anonymous sale, Christie's, 8 April 1997 (41)
Exhibition history
- agnew's centenary Loan Exhibition 1775-1851 1951 (33) (as The Banks of Washburn) Leeds, City Art Gallery and Temple Newsam House on loan from W. A. H. Harding Trust 1974-82 York, City Art Gallery Turner in Yorkshire 1980 (48) repr.
Publication history
- J. Finberg Turner's Watercolours at Farnley Hall no date (1912) (106) Pl XI; A. Wilton, the Life and Work of J. M. W. Turner 1979 (626) (as untraced)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number8938
Archival context
Object numberPA-F05209-0049
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: British, T-Z; Watercolours & Drawings
- Item:The Valley Of The Washburn, Otley Chevin In The Distance
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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