Ambrosio, a Bay Stallion, the Property of Thomas Haworth
Represented work of art
Artist
George Stubbs
(1724 - 1806)
Dimensions32 3/4 x 40 inches (83.2 x 101.6 cm)
Work type
Subject
Inscription
- Signed and dated: Geo: Stubbs pinxit 1804 lower right
Provenance
- Col Thomas Thornton, Thorntonville Royal; sale, Hickman 11 May 1820 (54) : Ellis and Smith: Anonymous sale, Christie's London, 6 February 1931 (82) (as Anvil), Baliol (acquired at the above sale), M. Knoedler and Co. Inc. New York; Henry Arthurton; sale Sotheby's London, 6 July 1949 (83) (as Anvil), General Norrie (acquired at the above sale), sale Christie's London, 24 October 1958 (42) (as Anvil Baer), Anonymous sale, Sotheby's New York, 5 December 2008 (46)
Publication history
- Judy Edgerton, George Stubbs, Painter, 2007, no. 341
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F05558-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: Single Horses, Equestrian portraits, (A-Z)
- Item:Ambrosio, a Bay Stallion, the Property of Thomas Haworth
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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