San Remy, Southern France, With Ruins Of A Monumental Arch And An Early First-Century Tomb Of The Julii At Glanum
Represented work of art
Artist
Antonio Joli
Dimensions19 1/2 x 29 3/4 inches (49.5 x 75.5 cm)
Provenance
- Commissioned by John Montagu, Lord Brudenell, and by descent through his sister, Elizabeth, wife of Henry, 3 Duke of Buccleuch and 5 Queensberry; Lord Henry Scott subsequently Montagu, 1 Lord Montagu of Boughton; his great-nephew, Lord Henry John Douglas-Scott-Montagu, 1 Lord Montagu of Beaulieu; and by descent to his grandson, Edward Douglas-Scott-Montagu, 3 Lord Montagu of Beaulieu; Christie's London, 2 May 1958 (45) (100 gns), with Thomas Agnew's & Sons, London where purchased by Otto Wittmann, and by descent to Anonymous owner; Anonymous sale, Christie's New York, 24 January 2003 (62)
Publication history
- M. Manzelli, Antonio Joli, 1999 no. B28, fig. 8
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatDigital Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F05171-0015
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05171
- Item:San Remy, Southern France, With Ruins Of A Monumental Arch And An Early First-Century Tomb Of The Julii At Glanum
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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