A View From The Castle Of St Michael, Bonneville, Savoy, From The Banks Of The Arve River
Represented work of art
Material
Dimensions11 x 15 1/4 inches (27.9 x 38.8 cm)
Work type
Subject
Technique
- painting (image-making)
Provenance
- by descent to F. H. Hawkes; with Agnew's, London, by 1912; with Scott and Fowles, New York, by 1914; Monnell, U. S. A. By 1937; Brian Pilkington, his sale, Sotheby's, London, 21 November 1984, lot 117; with Leger Galleries, London; Dr. Marc Fitch, The Fitch Collection, London, by 1988; Polly Peck International, PLC, London; Anonymous sale, Sotheby's, New York, 1 November 1995, lot 38; with Richard Green Ltd. ; Guy And Myriam Ullens, Their sale Sotheby's, London, 4 July 2007, lot 13 (bought The present owner), The Property of an Important Private Collection; Anonymous sale, Sotheby's London, 9 July 2009 (146)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F05203-0011
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes-France; Identified, A-Z; Unidentified; Watercolours
- Item:A View From The Castle Of St Michael, Bonneville, Savoy, From The Banks Of The Arve River
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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