Florence From Near San Miniato
Represented work of art
Material
Dimensions0.32 x 0.48 (12 1/2 x 19 inches)
Work type
Technique
- painting (image-making)
Provenance
- Collection of Sir Donald Currie; Miss Crofton of Sublin; Mrs Joseph B. Schlotman; Stella ford Schlotman; Anonymous sale, Sotheby's, 19 July 1979 (141)
Exhibition history
- Possibly exhibited by Turner at the Hibernian Academy in 1836 when he exhibited a watercolour entitled Florence; Exhibition of Works by the Old Masters and by Deceased Masters of the British School including a special selection from the works of Frank Holl, Royal Academy of Arts, And a selection of watercolour drawings by Joseph Mallord William Turner, Royal Academy of Arts, Royal Academy of Arts, 1889 (18)
Publication history
- Sir W. Armstrong, Turner, London, 1902, p. 253. Catalogue of Watercolours and Drawings by Joseph Mallord William Turner, Royal Academy of Arts , By Andrew Wilton;
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM26688
Archival context
Object numberPA-F05206-0037
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Lanscapes: Italy, Identified, A-Z; Unidentified; Watercolours
- Item:Florence From Near San Miniato
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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