Lion Attacking a Horse
Represented work of art
Artist
George Stubbs
(1724 - 1806)
Dimensions0.243 x 0.282 (9 9/16 x 11 1/8 inches)
Work type
Subject
Inscription
- Inscribed Geo: Stubbs pinxit 1769
Provenance
- Penniston Lamb, 1 Viscount Melbourne; his daughter, firstly Lady Cowper, secondly Lady Palmerston; 'her son, Lord Mount Temple; remained at Brocket Hall, Herts., Until bought 1920 by Sir George Buckton Browne and presented Assoc. For the Advancement of Science, by whom handed over in 1952 to Royal College of Surgeons; sold 1968 to Speelman; sold to Private British Collection., Their executors sold through Maas Gallery to: ; Tate Gallery, London. (T1192)
Exhibition history
- Whitechapel Art Gallery, George Stubbs, 1957 (51); Tate Gallery, Stubbs and Wedgwood, 1974 (15, repr.); Tate Gallery, George Stubbs anatomist and animal Painter, 1976 (29)
Publication history
- Basil taylor 'George Stubbs: ''The Lion and Horse Theme'' Theme'; Burlington CVII, 1965, pp. 81-6; Tate Gallery 1968-70, pp. 67-9.
Photographic source
Object FormatPhotographic Print
Photograph Source
Tate
Negative NumberT1192
Archival context
Object numberPA-F05562-0035
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: Single Horses; Frightened or attacked by lions
- Item:Lion Attacking a Horse
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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