Old Margate Pier
Represented work of art
Material
Dimensions0.275 x 0.405 (10 x 16 inches)
Inscription
- Inscribed On a label, verso: Exhibited at the old Master Exhibition at/Manchester. 1857. No. 48 as OLD MARGATE PIER p 113/of the 1st Catalogue. . . March 12 1858. . /Second? Catalogue No 254 page 89. .
Provenance
- Given by the artist 1804 to Samuel Dobree (1759-1827), Thence by descent Harry Hankey Dobree (1787-1841), his executors' sale, Christie's, 17 June 1842 (10) bought Ellis; By descent to Bonamy Dobree (1794-1863), Holbrook Gaskell II, of Erindale of Frodshan, Cheshire, sale, Christie's, 11 June 1920 (41), bought King on behalf of Holbrook Gaskell III; By descent to Ernest H. Gaskell husband of Mrs Gaskell; Mrs Gaskell her sale, Sotheby's, 10 July 1991 (90)
Exhibition history
- Turner's Gallery, 1804; Manchester Art Treasures, 1857 (254) lent by Bonamy Dobree
Publication history
- Hilda F. Finbert, 'Turner to Mr Dobree' Burlington Magazine Vol XCV 1953 pp 98-9; Martin Butlin and Evelyn Joll The Paintings of J. M. W. Turner 1977 text Vol. , P 40. (51); Plates Vol, Pl 45; Andrew Wilton The Life And Work of J. M. W. Turner 1979 p 257 (P51); John Gage Collected Correspondence of J. M. W. Turner 1980 (58)
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE26651
Archival context
Object numberPA-F05318-0059
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05318
- Item:Old Margate Pier
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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