Warren Hastings, on His Celebrated Arabian
Represented work of art
Artist
George Stubbs
(1724 - 1806)
Dimensions0.92 x 0.71 (36 1/4 x 28 inches)
Work type
Subject
Inscription
- Signed and dated 1791
Provenance
- Artist's sale, 24 Somerset St., May 27, 1807 (68), Sir Walter Gilbey, Bt. Dec'd, Christie's, June 11, (406), Bt. By Earl of Curzon of Kedleston; Anonymous sale, Christie's, June 26, 1981, (57)
Exhibition history
- The Tate Gallery, Stubbs and Wedgwood 1974 (29F)
Publication history
- Sit Walter Gilbey, Life of George Stubbs, 11898, p. 144, E. Rimbault Dibden Liverpool Art and Artists in 18th c. Walpole Society 1917, vol VI, p. 1 64, p. 1 XIX; W. S. Sparrow, George Stubbs and Ben Marshall 1929 p. 20 R. H. Wilenski, English Painting 1933 p. 156 p. 171 Basil Taylor Josiah Wegdwood and George Stubbs, Proceedings of the Wedgwood Soc. Constance-Anne Parker, Mr. Stubbs the horse Painter 1971 Basil Taylor, Stubbs 1971 p. 1128
Photographic source
Object FormatPhotographic Print
Archival context
Object numberPA-F05558-0031
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: Single Horses, Equestrian portraits, (A-Z)
- Item:Warren Hastings, on His Celebrated Arabian
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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