Bolton Abbey In The Olden Time
Represented work of art
Artist
Edwin Landseer
Material
Dimensions1.549 x 1.930 (61 x 75 inches)
Work type
Subject
Provenance
- Painted for the 6 Duke of Devonshire (1790-1858) who invited him to visit Bolton Abbey in May 1832. Trustees of the Chatsworth Settlement.
Exhibition history
- Sheffield, Mappin Art Gallery, Landseer and his world Feb - March 1972 (48); Tate 1982 (73) Whitwater AG, W. Monis and Middle Ages 1984 (23)
Publication history
- No. 339 in Chatsworth Handbook: The Duke wrote: ''Landseer's Bolton Abbey might be any other abbey; its immense success as a painting reconciled me to his not having made what I gave him the commission for - namely, a representation of the place. He went there, saw, and admired; and everybody was satisfied, except poor old Rev. Carr, who thought it a take-in. Landseer got Sir Augustus Callcott to sit for the Abbot's head. ''
Photographic source
Object FormatPhotographic Print
Photograph Source
Courtauld Institute of Art
Negative NumberB72/847
Archival context
Object numberPA-F05723-0013
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits, A-Z; Single & groups; Oils
- Item:Bolton Abbey In The Olden Time
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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