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Ancient Italy: Ovid Banished From Rome

Represented work of art
Material
Dimensions0.945 x 1.250 (37 1/ 4 x 49 1/4 inches ), 94.5 by 125cms
Provenance
  • Collections: Bought at the Royal Academy in 1838 by H. A. J. Munro of Novar, the leading buyer of Turner's work during the 1830's and '40's ; Munro sale, Christie's, April 6th, 1878 (96) 5, 200 guineas, bought Agnew's ; Kirkman Hodgson M. P. ; Bought Back from him by Agnew's in 1893 and sold to Messers. Sedelmeyer of Paris ; remained in the collection of the Groult family of Paris France, until the present day.
Exhibition history
  • Agnew's Painting in England 1630-1870 exhibition, June -July 1973 (24); Royal Academy of Arts, 1838 (192)
Publication history
  • The Athenaeum, May 1838. The Times, April 4th, 1878. W. Thornbury The Life of Turner 1877, p. 578. George Redford Art Sales 1888, Volume I, p. 270. Alfred Stevens in Magazine of Art xvii, 1894, pages xxxvi, xliv. Camille Pissarro Letters to his son Lucien edited by John Rewald no date P. 242 (1894). Sedelmeyer Gallery Illustrated Catalogue of 100 Paintings of Old Masters 1894, No. 98, p. 114 (repr. ). C. F. Bell The Exhibited Works of J. M. W. Turner, Royal Academy of Arts , 1901. P. 135, No. 210. Sir Walter Armstrong Turner, 1902, p. 233 where it is stated that the picture was painted for Munro; The Works of John Ruskin, Library Edition Edited by E. T. Cook and Alexander Wedderburn, 1903-1912, Vol III, p. 241. W. G. Rawlinson The Engraved Work of J. M. W. Turner Vol. II, 1913, pp. 206, 208, 338, 358 ; A. J. Finberg The Life of J. M. W. Turner 2nd Edition, 1961, pp. 370, 392, No. 480. John Rothenstein and Martin Butlin Turner 1964 p. 56. Jack Lindsay J. M. W. Turner: A Critical Biography, 1966, p. 184. John Gage, Colour in Turner, 1969, p. 269.
Photographic source
Object FormatPhotographic Print
Negative NumberA2879
Archival context
Object numberPA-F05908-0057
Archival context
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.
Rights and reproductions
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