The Arrival Of Princess Mary At Gravesend, 12 February 1689
Represented work of art
Material
Dimensions0.775 x 1.50 (31 1/2 x 59 1/16 inches)
Work type
Subject
Inscription
- Inscribed: W. V. Velde J on floating spar
Provenance
- Thomas Walker, d. 1748; Thomas Skinner (his heir) and by descent to Skinner's eldest daughter Emma, wife of William Harvey, Rolls Park, Essex; Admiral Eliab Harvey (his son), the Rev. William Tower, m. 1829 to Maria Harvey who inherited two van de Veldes, 1830; said to be from the H. A. J. Munro of Novar Collecton. ; Purchased For the museum on 2 November 1933 from Spink & Son, London by Sir James Caird; National Maritime Museum, London.
Exhibition history
- Somerset House, London and the Thames, July-October 1977 (6) q. V.
Publication history
- Hofstede de Groot 48 as Princess Mary embarking at Greenwich
Photographic source
Object FormatPhotographic Print
Photograph Source
Royal Museums Greenwich
Negative Number1666
Archival context
Object numberPA-F05784-0101
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Seascapes; Oils
- Item:The Arrival Of Princess Mary At Gravesend, 12 February 1689
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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