Melrose Abbey: An Illustration To Sir Walter Scott's The Lay Of The Last Minstrel
Represented work of art
Material
Dimensions0.195 x 0.13 (7 3/4 x 5 1/4 inches)
Work type
Subject
Technique
- drawing (image-making)
- painting (image-making)
Inscription
- Inscribed: Who"er would see fair Melrose" right/ Must visit it by the pale moonlight/Lay of the last Minstrel
Provenance
- Walter Fawkes; By descent in Horton-Fawkes family until sold at Christie's, 12 July 1988 (193), Anonymous sale, Sotheby's, 19 November 1992 (152)
Exhibition history
- Aberdeen Art Gallery and Museums, Turner in Scotland 1982 (61)
Publication history
- Andrew Wilton The Life and Works of J. M. W. Turner, 1979 Gerald Finley, Landscapes of Memory, Turner as Illustrator to Scott, 1980 p 75, pl. 23
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative Number3M119461
Archival context
Object numberPA-F05900-0111
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Drawings & Watercolours: Land & Seascapes, British, L-M
- Item:Melrose Abbey: An Illustration To Sir Walter Scott's The Lay Of The Last Minstrel
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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