Wreckers On The Coast: Sun Rising Through Mist
Represented work of art
Dimensions0.355 x 0.525 (14 x 21 3/4 inches)
Provenance
- Coll Mrs Booth (and was in the 1865 sale ) probably given to her by the artist; John Pound ( her son by her first marriage ) solh his sale , Christie's, 24 March 1865 (202) bought Vokins ; Sir Donald Currie (1825-1909), By descent to his granddaughter Mrs M. D. Fergusson from whom bought by Agnew's 1971 ; Mr And Mrs Patrick Gibson 1972, sold by Agnew's 1971 on their behalf to the Lewis Family Settlements, Their sale , Sotheby's, 12 November 1980 (84 - q. V. Cat. )
Exhibition history
- Agnew; s 1967 (26) ; On loan to the Cincinnati Art Museum, 1975-79; On loan to High Museum of Art, Atlanta, Georgia 1979-80;
Publication history
- Martin Butlin and Evelyn Joll, The Paintings of J. M. W. Turner, 1977, Plates Volume, illus. Pl. 482, Text Volume, pp. 260, 261, 286, and no. 477 ; Andrew Wilton, The Life and Work of J. M. W. Turner, 1979 (p. 292, no 477) ;
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM43138
Archival context
Object numberPA-F05906-0017
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05906
- Item:Wreckers On The Coast: Sun Rising Through Mist
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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