Helvoetsluys: The City Of Utrecht, 64, Going To Sea.
Represented work of art
Material
Dimensions0.914 x 1.219 (36 x 48 inches)
Provenance
- Agnew's, 1971. ; Collections: Bought From Turner By Elhanan Bicknell early in 1844 together with five other Turner pictures; Bicknell sale, Christie's, April 25th, 1863 years by Agnew's and sold to Miss Woods in 1865; bought back again from Miss Woods in 1883 by Agnew's and sold to James Price; his sale, Christie's, June 15th, 1895 (65) bought Agnew's; A. J. Forbes-Leith from whom re-purchased by Agnew's in 1897 and sold to James Ross of Montreal; his sale, Christie's, July 8th, 1927 (29) bought Paterson; Miss L. Coats, Fornethy House, by Alyth, Perthshire; her sale, Christie's, July 23rd, 1954 (56) bought Colonel S. J. L. Hardie.
Exhibition history
- English Life and Landscape exhibition, Agnew's , 1971 (14); Royal Academy of Arts, 1832 (284). ; Royal Academy Of Arts, Winter 1895 (32). ; Agnew, Turner, 1967 (16). ; The Shock Of Recognition, Mauritshuis, The Hague, 1970-1 (No. 47), and Tate Gallery, London, 1971 (No. 45).
Publication history
- Morning Chronicle, May 7th, 1832. ; Morning Post, May 29th, 1832. C. R. Leslie, Autobiographical Recollections, 1860, Volume I, p. 202. W Thornbury, J. M. W. Turner, Royal Academy of Arts (1877 Ed. ), P. 326-7. ; Bell, List Of Works Contributed To Public Exhibitions by J. M. W. Turner (1901), pp. 119-120, No. 180. ; Armstrong, Turner (1902), P. 222. ; A. J. Finberg, The Life of Turner (1961ed. ), Pp. 335-7, 399, 403, No. 380. ; Butlin and Joll, The Paintings Of J. M. W. Turner 1977 cat 345
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Thomas Agnew and Sons Ltd.
Negative NumberA1688
Archival context
Object numberPA-F05908-0021
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05908
- Item:Helvoetsluys: The City Of Utrecht, 64, Going To Sea.
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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