Mount Sinai, The Valley In Which The Children Of Israel Were Encamped
Represented work of art
Material
Dimensions5 x 7 7/8 inches (12.7 x 20.2 cm)
Work type
Subject
Technique
- painting (image-making)
Provenance
- George Hibbert; Christie's London, 2-4 May 1860, [3rd day] (347) (107 to Agnew's), Thomas Plint; Christie's London, 7-8 March 1862, [1st day] (184) (111 gns. To Vokins), with Agnew's , London, 1862; G. W. Moss, by 1868; Christie's London, 28 April 1900 (119) (330 gns. Barnet Lewis), Barnet Lewis; Christie's London, 28 February 1930-3 March 1930, [1st day], (55) (145 gns. To Agnew's), with Agnew's London; Sir Thomas Barlow; with the Fine Art Society, London, 1948, where purchased by Cuthbert Henry Dawnay, M. C, and by descent do Delia Dawnay, later Lady Millar, and by descent to the present owner; Property of a Gentleman; Anonymous sale, Christie's London, 6 July 2010 (65)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatCatalogue cutting
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F05205-0003
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes Greece; Non-European; Watercolours
- Item:Mount Sinai, The Valley In Which The Children Of Israel Were Encamped
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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