Rome From Mt. Mario
Represented work of art
Material
Dimensions0.286 x 0.406 (11 1/4 x 16 inches)
Work type
Technique
- painting (image-making)
Inscription
- Inscribed Right: Roma 1820 from Mt. Mario.
Provenance
- among nine watercolours done for Mr Fawkes from Italian material" (see also NGS. H 1341) Ascough Fawkes (Farnley Hall) sale Christies 28.6.1890, bt. by Sir Donald Currie. Volkins label. Private Collection, Scotland, 1972/1. Property from a descendant of Sir Donald Currie (1825 - 1909) Anonymous sale, Sotheby's London 7 July 2010 (56) " Another work with the same title was engraved for Hakewell's Picturesque tour of Italy, 1818-20, based on Camera Lucida outlines by Hakewill. The series is much smaller (5 1/2 x 8 1/2) A pencil drawing of this composition is in the B.M. (see Ruskin in Pictures (ed. E.T. Cook) 1902, vol.I,p.240; no.590 & Illus.)
Publication history
- A. J. Finberg, In Venice with Turner, 1930, p. 69; W. G. Rawlinson, Engraved work of JMW Turner, 1908 and 1913 (152)
Photographic source
Object FormatPhotographic Print
Photograph Source
Scottish National Gallery
Negative NumberH.1344
Archival context
Object numberPA-F05206-0099
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Lanscapes: Italy, Identified, A-Z; Unidentified; Watercolours
- Item:Rome From Mt. Mario
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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