An Allegorical Monument To King George I
Represented work of art
Artist
Francesco Fernandi
Dimensions1.79 x 2.375 (70 1/2 x 93 1/2 inches)
Provenance
- Sold to the 2 Duke of Richmond by Owen mcswiney in 1730 & in the collection Until the 1790's; Viscount Kemsley, London, 1964; Anonymous sale, Sotheby's, 7 July 1976 (54)
Exhibition history
- Royal Academy of Arts, English Taste in the C18th, 1955-56 (132), lent Viscount Kemsley.
Publication history
- The Connoisseur, vol XXXIII, 1929 p. 264 pl. VI as by Hubert Robert; The Walpole Society, vol. XXVI, 1938 (Vertue Notebooks, V) pp. 149-150; E. K. Waterhouse in Arte Lombarda, 1958, p. 106; For the series in the general see: F. J. B. Watson, The Burlington Mag. Vol. 95, 1953, pp. 362-363.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative Number5906
Archival context
Object numberPA-F05388-0025
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05388
- Item:An Allegorical Monument To King George I
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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