The Roses Of Heliogabalus
Represented work of art
Artist
Lawrence Alma-Tadema
Dimensions0.32 x 2.14 (52 x 84 1/8 inches)
Provenance
- Commissioned by Sir John Aird, sale 3 May 1935 (35), F. W. Reeves, Bearnett House, Wolverhampton; sale 2 December 1960 (85), James Coats, N. Y. ; Allen Funt sale Sotheby's Belgravia, 6 November 1973 (23), bought C. Jerdein. ; Whitford And Hughes 1984 (4)
Exhibition history
- Royal Academy of Arts 1888, (298). ; Salon, Paris, 1893 (15); Guildhall, Corporation of London Art Gallery, 1894, (39); Royal Academy Winter Exhibition, Works by the Late Sir Lawrence Alma-Tadema, 1913, (53); National Gallery of Canada, Ottawa, An Exhibition of Paintings and Drawings by Victorian Artists in England, 1965 (4); The Metropolitan Museum of Art, N. Y. , 1973 (23).
Publication history
- The Art Journal, 1888, p. 183; The Magazine of Art, 1888, p. 268; C. Philips, Gazette des Beaux-Arts, 1888, p. 74; 'The Salons of 1893', The Art Journal, 1893, p. 216; 'Les Salons de 1893', Gazette des Beaux-Arts, 1893, p. 447; G. Geffroy, La Vie Artistique, 1894, p. 312; M. H. Spielmann, 'Lawrence Alma-Tadema, Royal Academy of Arts, A Sketch', The Magazine of Art, 1896, p. 48; R. Dircks, 'The Later Works of Sir Lawrence Alma-Tadema, O. M. , Royal Academy of Arts, 'The Art Journal Special Christmas Issue, 1910, pp. 12 and 31; M. Amaya, 'The Roman World of Alma-Tadema', Apollo Magazine, 1962, p. 772; M. Amaya, 'The Painter who inspired Hollywood; The Sunday Times Magazine, 18th February, 1968, p. 34; J. Maas, Victorian Painters, 1969, p. 182; J. E. Patterson, 'The Norman Rockwell of the Pagans, or The Return of Alma-Tadema: The Candid Cameraman Collects', Auction, 1971, pp. 40 and 42.
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative NumberB5065
Archival context
Object numberPA-F06289-0041
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Opus numbered subjects, 201-
- Item:The Roses Of Heliogabalus
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
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