View Of Dunton Hall, Lincolnshire
Represented work of art
Artist
George Lambert
Dimensions32 1/2 x 52 1/4 inches (83 x 133 cm)
Work type
Subject
Inscription
- Signed and dated: G. Lambert 1739 (l. R. )
Provenance
- Probably commissioned by Sigismund Trafford of Dunton Hall, Lincolnshire, and possibly sold at the Dunton Hall sale, Yorke of Cambridge, 22-27 August 1774; Mrs Hartmann of White Lodge, Richmond Park, by whom sold Christie's, 27 November 1909 (32) bought W. Lockett Agnew's; by descent to his wife, by whose executors sold Christie's, 15 June 1923 (35 bought F. H. Robinson; later re- acquired by the family; Property of a Gentleman; Anonymous sale, Sotheby's London, 24 November 2005 (11)
Publication history
- Elizabeth Einberg 'The Works of George Lambert', Walpole Society, Vol. LXIII, 2001, P 1739, fig. 49
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F05747-0019
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: Landscapes: Identified, A-Z
- Item:View Of Dunton Hall, Lincolnshire
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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