View Of London Wit Sir Richard Steele's House
Represented work of art
Artist
John Constable
Dimensions0.210 x 0.285 (8 1/4 x 11 1/4 inches)
Provenance
- Capt. Constable, his sale, Christie's, 11 July 1887 (69), Miss Isabel Constable, her sale, Christie's, 17 June 1892 (250), Thos. Jas. Barrett; Sir. Leicester Harmsworth; Sir Geoffrey Harmsworth 1962; Gooden & Fox 1962, ; Paul Mellon (1907–1999)
Exhibition history
- Royal Academy of Arts, 1832 (147); Grosvenor Gallery, 1889; Wildenstein, Centenary Memorial Exhibition, 1937 (63); Manchester City Art Gallery, 1956; Virginia Museum of Fine Arts, Painting in England Academy, 1964/65 (83); Royal Academy, 1964-65 (83); Yale University Art Gallery, 1965 (46); Washington, National Gallery of Art, John Constable, a selection of paintings from the Collection of Mr and Mrs Paul Mellon, 1969 (63)
Publication history
- Reynolds 1984, 32.6; C.R.Leslie, The Life of LEtters of John Constable, Royal Academy of Arts, 1896, p.257; A.Shirley, Published mezzotints of David Lucan after J.Constable Royal Academy of Arts, 1930, p.212; C.J.Holmes, Constable and his influence on Landscape Painting, 1932 (p.250); A.Shirley, John Constable Royal Academy of Arts, pl.137; J.Baskett, Constable Oil Sketches, 1966 (p.82)
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number383
Archival context
Object numberPA-F06822-0039
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06822
- Item:View Of London Wit Sir Richard Steele's House
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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