Perham Mill, Gillingham
Represented work of art
Artist
John Constable
Dimensions0.502 x 0.604 (19 3/4 x 23 3/4 inches)
Provenance
- Mr Hand; Lewis Fry, Bristol; ca. A. Barton; sale, Christie's, 3 May 192 (5), S. P. Joel, sale Knight Frank & Rutley, 8 December 1931 (268), sir Bernard Eckstein sale 8 December 1948 (65), W. L. Lewis, New York; J. S. Maas, 1962; Paul Mellon (1907–1999)
Exhibition history
- Royal Academy of Arts 1826 (122) as A mill at Gillingham,. Dorset; Royal Academy of Arts 1827 (48) as Mill,Gillingham, Dorset; British Institute 1827 (321); Royal Academy, Old Masters, 1862 (52); Ipswich, English Masterpieces, 1887; Grosvenor Gallery, 1889 (64); Whitechapel Gallery, 1894 (92); Virginia Museum of Fine Arts, Painting in England 1700-1850, 1963 (111); Royal Academy, idem, 1964/5 (69); Yale University Art Gallery, idem, 1965 (33); Washington, National Gallery of Art, John Constable: a selection of paintings from the Collection of Mr and Mrs Paul Mellon, 1969 (60)
Publication history
- Reynolds 1984, 26.4; Lit; C.J. Holmes, Constable and his influence upon landscape paintings, 1902, p.94; C.R. Leslie, Memoirs of the life of John Constable RA, 1951, pp.151 and 418
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number287
Archival context
Object numberPA-F06823-0051
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06823
- Item:Perham Mill, Gillingham
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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