Going To The Ball (San Martino)
Represented work of art
Dimensions0.61 x 0.914 (24 x 36 inches)
Provenance
- B. G. Windus; sale, London, Christie's, June 20 (1852 (1) (520 Gns. To Gambart ) : Ernest Gambart, London ; Joseph Gillott , Birmingham (bought From Wallis with Returning from the Ball (1) March 23, 1854 for 200 & two pictures by Callcott ) : sale, London, Christie's, April 20, 1872 (159) (1700 Gns. To the Earl of Bective ) The Earl of Bective : sale , London, Christie's, May 4, 1878 (62) (unsold ) James Price, Paignton (by 18-87), sale. London, Christie's, June 15, 1895, (62) (2800 Gns. To Agnew's ) Agnew's , London; Sir Donald Currie , London ; thence by descent to Major F. D. Mirrielees (his grandson), London (1920), for whom sold by Agnew's in 1937 to M. Knoedler & Co. Inc. New York; Anonymous sale, Christie's, New York, May 19, 1982 (2)
Exhibition history
- Royal Academy of Arts 1846 (74)
Publication history
- M. Butlin and E. Joll, The Paintings of J. M. W. Turner, New Haven and London, 1977, pp 240-242 , (421) pl. 402 A. Wilton , The Life and Work of J. M. W. Turner, London, 19-79, (P421) p. 289 ( illus. )
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F05908-0105
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05908
- Item:Going To The Ball (San Martino)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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