Thomas Hamilton, 1st Earl Of Haddington, (1563 -1637).
Represented work of art
Artist
Adam de Colone
Dimensions0.686 x 0.610 (27 x 24 inches)
Inscription
- Inscribed to left of head: Aetatisigned 61/1624
Provenance
- Right Hon. Bridget, Countess of Airlie & the Right Hon. The Earl & Countess of Airlie. Cortachy Castle
Exhibition history
- Related to a group of paintings of Scots noblemen who frequented London in 1620's - for the artist see unpublished thesis 'The life and Art of George Jamesone ' Appendix to Vol. II, in the Library of Scottish National Portrait Gallery. It is Derived from a 3/4 length at Tyninghame, Scottish Exhibition, Glasgow 1911, no 51 (as by Jameson)
Photographic source
Object FormatPhotographic Print
Photograph Source
Scottish National Gallery
Negative NumberH.1609
Archival context
Object numberPA-F06415-0005
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06415
- Item:Thomas Hamilton, 1st Earl Of Haddington, (1563 -1637).
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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