To Let
Represented work of art
Artist
James Collinson
Dimensions0.585 x 0.458 (23 x 18 inches)
Provenance
- Prof. Thomas Bodkin sale Sotheby's, 11 November 1959 (98), Fine Art Society, London, Forbes Magazine Collection, New York (P71057)
Exhibition history
- Royal Academy of Arts 1857 (102) ; Birmingham City Museum and Art Gallery, 1919; Municipal Gallery of Modern Art, Dublin, 1920; Birmingham City Museum and Art Gallery, Victorian Exhibition, 1937 (98) ; Leicester Galleries, London, Exhibition of Victorian Life, 1937 (98); Birmingham City Museum and Art Gallery, The Pre-Raphaelite Exhibition, 1848 (99) ; Russell-Coles Art Gallery, Bournemouth, Exhibition of Painting and Drawings by the Pre-Raphaelites and their Followers, 1951 (24) ; Arts Council,Wales, Some Pre-Raphaelite Paintings and Drawings, 1955 (21) Nottingham University Art Gallery, Victorian Painting, 1959 (12); Charles heyser Gallery, London, Victorian Paintings, 1971; Emily Lowe Gallery, Hofstra University, Hempstead, New York, Victorian Art (66), 1972; Metropolitan Museum of Art, New York, The Royal Academy (1837-1901) Revisited, 1975 (6)
Publication history
- The Royal Academy (1837-1901) Revisited, 1975 (6)
Photographic source
Object FormatPhotographic Print
Photograph Source
Forbes Magazine
Archival context
Object numberPA-F06432-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06432
- Item:To Let
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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