The Parting Kiss
Represented work of art
Artist
Lawrence Alma-Tadema
Dimensions1.125 x 0.735 (44 1/4 x 29 inches)
Inscription
- Signed and inscribed with opusigned No. CCXL
Provenance
- Henry J. Mason (by 1887), Mrs F. H. Glenn-Allen (after 1913), sale Sotheby's, 4 June 1969 (69), Charles Jerdein, 1971; Allen Funt sale Sotheby's Belgravia, 6 November 1973 (19), bought G. Archdale.
Exhibition history
- Royal Jubilee Exhibition, Manchester, 1887, (317); Royal Academy Winter Exhibition, works by the late Sir Lawrence Alma-Tadema, 1913 (40); The Metropolitan Museum of Art, N. Y. , 1973 (19).
Publication history
- Helen Zimmern, L. Alma-Tadema, Royal Academy of Arts, The Art Journal, Special Supplement, 1886, p. 22; Percy Cross Standing, Sir Lawrence Alma-Tadema, O. M. , R. A, 1905, p. 66; Rudolf Dircks, The Later Works of Sir Lawrence Alma-Tadema, O. M, Royal Academy of Arts, The Art Journal, Special Christmas Issue, 1910, p. 31; Apollo Magazine, May 1969, p. cxvi; J. E. Patterson, The Norman Rockwell of the Pagans or The Return of Alma-Tadema: The Candid Cameraman Collects, Auction, 1971, p. 53.
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative NumberB/4617
Archival context
Object numberPA-F06289-0021
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Opus numbered subjects, 201-
- Item:The Parting Kiss
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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