Antony And Cleopatra
Represented work of art
Artist
Lawrence Alma-Tadema
Material
Dimensions0.655 x 0.92 (25 3/4 x 36 1/4 inches)
Inscription
- Signed and inscribed with Opus No. CCXLVI
Provenance
- Frau van Munchausen (by 1895), Sir Benjamin Robinson (by 1923), Princess Labia (Robinson's daughter), sale Sotheby's, 20 November 1963 (98), James Coats, N. Y. (1963-66), Allen Funt sale Sotheby's Belgravia, 6 November 1973 (21), bought Leger Gallery; Anonymous sale, Sotheby's, November 25, 1987 (30)
Exhibition history
- Royal Academy of Arts, The Robinson Collection, 1958, (81); Nat. Gall. of Canada, An of Paintings and Drawings by Victorian Artists in England, 1965 (2); The Society of Four Arts, Florida, English Painting of the Victorian Era: A loan , 1966 (4); The Metropolitan Museum of Art, N. Y. , 1973 (21).
Publication history
- F. G. Stephens, Artists at Home, 1884, p. 6; F. G. Stephens, Lawrence Alma-Tadema, Royal Academy of Arts: A Sketch of his Life and Work, 1895; P. C. Standing, 'Sir Lawrence Alma-Tadema, O. M. , Royal Academy of Arts, 1905, p. 98; R. Dircks, The Later Works of Sir Lawrence Alma-Tadema, O. M, Royal Academy of Arts", The Art Journal, Special Christmas Issue, 1910 p. 31. M. Amaya, "The Painter Who Inspired Hollywood", The Sunday Times, 18 February 1968, p. 31. J. E. Patterson, "The Norman Rockwell of the Pagans or The Return of Alma-Tadema: The Candid Cameraman Collects", Auction, 1971, p. 43. "
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Archival context
Object numberPA-F06289-0025
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Opus numbered subjects, 201-
- Item:Antony And Cleopatra
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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