The Thames From Somerset House, Looking Upstream
Represented work of art
Artist
Canaletto
Dimensions0.720 x 0.385 (28 1/4 x 15 1/4 inches)
Provenance
- Almost certainly in the collection of Thomas West 1750; Thomas Harcourt Powell, Drinkstone Park; T. Harcourt Powell; Agnew's 1966; Paul Mellon (1907–1999); Yale Center for British Art, (B 1976 July 96 or 97)
Publication history
- H.F. Finberg, Canaletto in England, Walpole Society IX, 1920-21, pp. 38, 64-65 and 74; K.T. Parker, The Drawings of Antonio Canaletto in the Collection of His Majesty the King at Windsor Castle, 1948 (114 and 115); Count. A. Seilern, Italian Paintings and Drawings at 56 Prince's Gate, 1959 (131); W.G. Constable, Canaletto, 1962 II (428b and 429a); M. Levey, The Later Italian picture in the Collection of H.M. the Queen, 1964 (374/5)
Current owner
Yale Center for British Art
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Yale Center for British Art
Archival context
Object numberPA-F06500-0027
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:London and the Thames
- Item:The Thames From Somerset House, Looking Upstream
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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