Images(2)

Landscape (The Leaping Horse)

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Represented work of art

Artist John Constable

Dimensions1.422 x 1.873 (56 x 73 3/4 inches)

Subject

equestrians

Provenance

Probably 16 May 1838 (35, River Scene & Horse Jumping'), bought Samuel Archbutt, Sold Christie's, 13 April 1839 (97, 'The Towing-horse: the capital well known picture'), bought in; William Taunton, Sold Christie's, 16 May 1846 (42, 'Dedham-the companion' [to lot 41, 'Salisbury Cathedral']), bought in and offered again, Christie's, 27 May 1849 (111, 'Dedham, with the towing path': lot 110, referred to as the companion in 1846, was ''Salisbury Cathedral, from the meadows', i. E. No. 282 in this exhibition) bought in; Charles Birch, Sold Christie's, 7 July 1853 (41), bought Gambart; Charles Pemberton 1863; Charles Sartorius, Whose wife, later Mrs Dawkins, presented it to the Royal Academy 1889; Royal Academy, London.

Exhibition history

Royal Academy of Arts 1825 (224); Tate Gallery, Constable, 1976 (226)

Publication history

Reynolds 1984, 25.1

Photographic source

Object FormatPhotographic Print

Photograph Source Royal Academy of Arts

Archival context

Object numberPA-F06823-0003

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:PA-F06823
Item:Landscape (The Leaping Horse)

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

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