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Near The Tuileries Gardens Overlooking The Pont De La Concorde Towards L'Assemblée Nationale, The Dome Of Les Invalides In The Distance

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Represented work of art

Artist Thomas Shotter Boys

Dimensions0.35 x 0.45 (13 3/4 x 9 1/2 inches)

Inscription

Signed and dated Thomas Boys 1832

Provenance

J. Leslie Wright; Mrs Dorian Williamson; Anonymous sale, Sotheby's, 24 November 1977 (106)

Exhibition history

Early English Watercolours from the Collection of J. Leslie Wright and Walter Turner, Birmingham, 1938 (130). Exhibition at the Worcester-Festival, 1938 (73); Masters of British Watercolour-Exhibition of J. Leslie Wright Collection, Royal Academy of Arts, 1949 (301) illus. XVI

Publication history

Catalogue of J. Leslie Wright Collection of Early English Watercolour Drawings, 1939, (26 illus. on the facing page

Photographic source

Object FormatPhotographic Print

Photograph Source Paul Mellon Centre for Studies in British Art

Negative NumberM16294

Archival context

Object numberPA-F07078-0055

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:Paris
Item:Near The Tuileries Gardens Overlooking The Pont De La Concorde Towards L'Assemblée Nationale, The Dome Of Les Invalides In The Distance

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

Conditions for onward use of this image are determined by its licence. Learn more.

Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/

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