Winter, After Jacob Van Ruysdael
Represented work of art
Artist
John Constable
Dimensions58 x 71 cm (23 x 28) inches
Inscription
- Inscribed by the artist left right : Ruifdael and On stretcher Copied from the Original Picture/by Ruisdael in the pofsefsion of Sir Robt Peel Bt by me/Jogn Constable RA/ at Hampstead September 1832/P. Signed Color (. ..) Dog Added (. ..) Only (. ..) Size Of the Original (. ..) And Showed this picture to Dear John Dunthorne Octr 30 1832 (. ..) This was the last time I (. ..) Poor J Dunthorne died on Friday (all Satins) the 2d of November 1832 - at 4 oclock in the afternoon Aged 34. Years
Provenance
- The artist's sale, Foster's, 1516 May 1838, (45), Edward Gambier Howe, by 1902; By descent to the present owner. Anonymous sale, Sotheby's, 21 March 2001 (69)
Publication history
- G Reynold The Later Paintings and Drawings of john Constable, 1984, no. 32.43
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F06822-0065
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06822
- Item:Winter, After Jacob Van Ruysdael
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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