Images(2)

Entrance To Shields Harbour

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Represented work of art

Artist George Balmer

Material

Dimensions0.245 x 0.348 (9 5/8 x 13 inches)

Provenance

G. D. Sedgwick (mclean), from whom bought by Agnew's, 5 November 1905; from whom bought by James T. Blair, 14 December 1906, as Old Cherbourg Harbour by Bonington; his bequest, 1917; Manchester City Art Gallery

Exhibition history

Liverpool, Walker Art Gallery, Water Colour Drawings by deceased British Artists, 1912 (225), as Bonington, Old Cherbourg Harbour Liverpool, Walker Art Gallery, Water-Colour Drawings and Paintings, 1921 (313), as the same Manchester, City Art Gallery, British Art, 1934 (119), as Balmer, Entrance to Shields Harbour; Burlington Fine Arts Club, Bonington and his Circle, 1937 (132); London, Thos. Agnew's. English Watercolours and Drawings from the Manchester City Art Gallery October 1977 (3)

Publication history

E. Johnston, Fletcher Moss Art Gallery, Manchester, Old Watercolour Society's Club, XLVI, 1971, pl. XVII (below)

Previous owner Thomas Agnew and Sons Ltd.

Photographic source

Object FormatPhotographic Print

Photograph Source Manchester Art Galleries

Archival context

Object numberPA-F07212-0005

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:PA-F07212
Item:Entrance To Shields Harbour

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

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