East Bergholt Church, Suffolk, With The Tomb Of The Artist's Parent
Represented work of art
Artist
John Constable
Dimensions0.20 x 0.32 (7 3/4 x 12 1/2 inches)
Inscription
- Inscribed in another hand: East Bergholt Church. With the Tomb of Golding and Ann Constable, parents of J. Constable, by whom this was drawn October 28, 1818. Golding died 1816 aged 78. Ann died 1815 aged 67. By the side of their tomb are the tombs of Jas Revans, his wife, and son and daughter. Revans was Golding Constable"s faithful servant
Provenance
- Capt. Charles Golding Constable; Mrs A. M. Constable, her sale, Christie's, 11 July 1887 (22) bought Noseda probably on behalf of J. P. Heseltine, his sale, Sotheby's, 25 March 1920, (120) bought Agnew's; Given John Witt by his parents, Sir Robert and Lady Witt, 3 August 1929; The late Sir John and Lady Witt, sale Sotheby's, 19 February 1987 (111)
Exhibition history
- Courtauld Institute Galleries, the John Witt Collection Part II, English School 1963, (25; Tate Gallery Constable Paintings, Watercolours and drawings 1976 (162)
Publication history
- Reg Gadney Constable and his World 1976 illus. plate 51; Graham Reynolds the Later Paintings and Drawings of John Constable 1984, p22 no. 18.30, illus. pl 57
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative Number3M76931
Archival context
Object numberPA-F07262-0055
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F07262
- Item:East Bergholt Church, Suffolk, With The Tomb Of The Artist's Parent
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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