The Sea Near Brighton
Represented work of art
Artist
John Constable
Material
Dimensions0.173 x 0.239 (6 13/16 x 9 3/8 inches)
Inscription
- Inscribed on label on backing board (in ca. G. Constable"s hand and presumblay copying inscription on back of paper): "Brighton. Sunday, Jany. 1 1826. From 12 till 2 P. M. Fresh breeze from Signed Signed W.
Provenance
- 23 June 1890 (80, 'Brighton, January 1, 1826'), bought Dowdeswell (whose label is still on the back), George Salting by 1902 & bequeathed by him to the National Gallery 1910; transferred to Tate Gallery 1961; Tate Gallery (2656)
Exhibition history
- Tate Gallery, Constable, 1976 (244)
Publication history
- Reynolds 1984, 26.5
Photographic source
Object FormatPhotographic Print
Photograph Source
Tate
Negative Number2656
Archival context
Object numberPA-F06823-0053
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06823
- Item:The Sea Near Brighton
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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