The First Translation Of The Bible Into English 'a Small First Sketch'
Represented work of art
Artist
Ford Madox Brown
Dimensions0.18 x 0.25 (7 1/8 x 9 3/4 inches)
Inscription
- Inscribed Chaucer: Gower: Wycliffe: John Gaunt [Mary Bennett]
Provenance
- Sold to Francis mccracken from Liverpool Academy, October/November 1852 sold by him to D. T. White, dealer, 1853 and thence to B. G. Windus of Tottenham, His sale, Christie's, 19 July 1862 (17) bought in and 14-17 February 1868 (276) bought Rowbottom; W. H. Davies, 1890 and thence by descent to present owner, Anonymous sale, Phillips, 20 May 1980 (23)
Exhibition history
- Liverpool Academy, 1852 (475); 191 Piccadilly, London 1865, Mr. Ford Madox Brown's Exhibition (44);
Publication history
- For M. Hueffer, Ford Madox Brown, A Record of his Life and Work 1896 (pp.84, 475 list); W.N. Rossetti, Pre-Raphaelite Diaries and Letters, 1900, (pp.78, 112, 114. The People's 'Journal, VI, 1848 engraving fp.71); Ford Madox Brown, Ms Diary, 9-12 january, 5 March 1848, atc. (Ashmolean Museum, Oxford);
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number51948
Archival context
Object numberPA-F06971-0029
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Biblical
- Item:The First Translation Of The Bible Into English 'a Small First Sketch'
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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