Welcome Footsteps (Well Known Footsteps)
Represented work of art
Artist
Lawrence Alma-Tadema
Material
Dimensions0.42 x 0.545 (16 1/2 x 21 1/2 inches)
Inscription
- Signed and inscribed Op. CCLVII
Provenance
- Messrs M. Knoedler & Co. New York and London by 1884; Messrs. Arthur Tooth & Sons, London by 1888 D. Dyce Brown, Esq. By 1896; Messrs. Scott & Fowless, New York by November 1931; Private collector, New York State (until Spring 1978), Anonymous sale, Christie's, 21 June 1985 (104)
Exhibition history
- London, Royal Institute of Painters in Oil Colours, 1st Exhibition Dec. /Jan 1883-84 (466) (repr. pl 77 in catalogue) Birmingham Royal Society of Artists, Spring Exhibition 1896 (370)
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number54672
Archival context
Object numberPA-F06289-0033
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Opus numbered subjects, 201-
- Item:Welcome Footsteps (Well Known Footsteps)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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