View On The Galleria Di Sopra Above Lake Albano
Represented work of art
Artist
John Robert Cozens
Material
Dimensions0.365 x 0.524 (14 3/8 x 20 7/8 inches)
Subject
Provenance
- Sir George Beaumont, Bart. ; Presented by him to John Constable Royal Academy of Arts; Robert Ross; Williamson Art Gallery and Museum, Birkenhead.
Exhibition history
- Whitworth Art Gallery, Manchester, 1937 (61); London, Manning Galleries, Sir George Beaumont: Artist and Patron, 1969 (14) and afterwards on tour.; Whitworth Art Gallery, Manchester, Watercolours by J.R. Cozens, 1971 (36)
Publication history
- Bell and Grain, Drawings.and Sks. of J.R.C., 1935, Vol 23, p.47 no. 1541; A.P. Oppé, Alexander and John Robert Cozens, 1952, pp. 138,159 note 1; Martin Hardie, Watercolour Painting in Britain, Vol 1, The Eighteenth Century, 1966, pp.131, 138.
Photographic source
Object FormatPhotographic Print
Photograph Source
William Cull Ltd.
Negative NumberA417-1
Archival context
Object numberPA-F07355-0059
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes; Italian; Identified scenes, A-M
- Item:View On The Galleria Di Sopra Above Lake Albano
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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