Stratford St Mary From the Coombs (Suffolk)
Represented work of art
Artist
John Constable
Dimensions0.48 x 0.635 (19 x 25 inches)
Provenance
- Thomas Churchyard, his sale, Christie's, 5 July 1862 (110) as The Village of Stratford, where it remained unsold. Possibly re-offered in his subsequent sale 28 March 1866 (67) as View of Dedham 25 x 18in. Bought by Pearce. Not included in either of the two W. W. Pearce sales of 1872; Sir Thomas Lane Devitt bought presented to him by the Shipping Federation on his retirement as chairman in 1914; His daughter, Miss Devitt, from whom bought by the present owner; Anonymous sale, Sotheby's, 20 November 1985 (82)
Publication history
- To be included by Professor Charles Rhyne in his forthcoming Catalogue Raisonne of the Early Paintings and Drawings of John Constable R. A.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE18099
Archival context
Object numberPA-F08243-0229
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F08243
- Item:Stratford St Mary From the Coombs (Suffolk)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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