Puck
Represented work of art
Artist
Richard Dadd
Material
Dimensions59.2 x 59.2 cm (23 1/4 x 23 1/4 inches)
Work type
Inscription
- Signed and dated 1841
Provenance
- Henry Farrer (1821-1906) of Green Hammerton Hall, Yorkshire, by whom purchased at the Royal Society of British Artists, 1841; Major Thomas Birchall of Ribbleton Hall, Preston, by 1857, and thence by family descent; John Rickett, 1964; J. S. Maas & Co. London, where bought by Sir David Scott 2 December 1975 for £11,500; Collection of Sir David and Lady Scott; A Great British Collection, the Pictures collected by Sir David and Lady Scott, Sotheby's London, 19 November 2008 (104)
Exhibition history
- Society of British Artists, Suffolk St., 1841 (9603); Manchester, Art Treasure Exhibition 1847 (335); Tate Gallery 1974 The Late Richard Dadd (58)
Publication history
- David Greysmith Richard Dadd 1973 169; pl 24
Photographic source
Object FormatPhotographic Print
Photograph Source
Courtauld Institute of Art
Negative NumberB86/324
Archival context
Object numberPA-F07847-0067
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils
- Item:Puck
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Data Formats
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