Elizabeth Roydon, Lady Golding
Represented work of art
Artist
Hans Eworth
Dimensions0.376 x 0.299 (14 13/16 x 11 13/16 inches)
Subject
Inscription
- Inscribed HE in red monogram top left below arms of the Roydons of Kent; AETATIsigned XL/M. D. LXIII top right in gold letters, and LADY GOLDYNG below in rougher lettering.
Provenance
- By descent from the sitter to Sir Edward Dering of Surrenden Derling, Kent; sold by him to H. D. P. & D. Colnaghi & Co. Ltd.; bought from P. D. P. & D. Colnaghi & Co. Ltd. in 1891 'for RM' (see label on back panel), William Cleverly Alexander, by descent to his daughters the Misses Rachel F. & Jean I. ; Alexander Who in 1959 presented it under terms Deed of Gift; to National Gall. ; Entered coll. 1972 as no. 6403, transferred to Tate Gallery 1972, (T1569)
Exhibition history
- National Gallery, London, The Alexander Gift, 1972
Publication history
- Tate Gallery 1972-4: Biennial Report, 1975, p.53
Photographic source
Object FormatPhotographic Print
Photograph Source
Tate
Archival context
Object numberPA-F08073-0041
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Female Identified, A-Z
- Item:Elizabeth Roydon, Lady Golding
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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