Dante Gabriel Rossetti
Represented work of art
Artist
William Holman Hunt
Dimensions0.286 x 0.259 (11 1/4 x 10 3/16 inches)
Subject
Inscription
- Signed: W Holman Hunt/ to his P R Brother / T Woolner/ April 12; Inscribed: Unfinished
Provenance
- Thomas Woolner; W. M. Rossetti (c. 1882), G. A. Rossetti, from whom bought by: -; The City Art Gallery, Manchester, 1922
Exhibition history
- Manchester, City Art Gallery, D. G. Rossetti and Madox Brown; Family Portraits, 1920 (6) Liverpool, Walker Art Gallery, Pre-Raphaelite Exhibition, 1961 (8) Royal Academy, Dante Gabriel Rossetti, 1973 (38); Tate gallery, The Pre-Raphaelites 1984(184); Birmingham, City art Gallery, The Last of england, Pre-Raphaelite masterpieces, 1976; London , Thos. Agnew, watercolours and Drawings from the City Art Gallery, Manchester, October 1977 (44)
Publication history
- W. M Rossetti, The Portraits of Dante Gabriel Rossetti, The Magazine of Art, 1889, p. 57, repr. P. 26; W. Holman-Hunt, Pre-Raphaelitism and The Pre-Raphaelite Brotherhood, I, 1905, p. 341 Amy Woolner, Life and Letters of Thomas Woolner, 1917, p. 321; R. Ormond, Portraits to Australia, Apollo, January 1967, p. 26, repr. City of Manchester Art Galleries, Pre-Raphaelite Paintings, 1974, p. 12, repr. P. 86
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Manchester Art Galleries
Archival context
Object numberPA-F08039-0027
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Male & Female, Identified, A-Z & Unidentified
- Item:Dante Gabriel Rossetti
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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