Sunset At Chimalditi
Represented work of art
Artist
William Holman Hunt
Material
Dimensions0.346 x 0.498 (13 5/8 x 19 5/8 inches)
Subject
Inscription
- Signed with monogram and Inscribed: and numbered 2 on the artist"s Label
Provenance
- Old watercolour Soc. Exh. , 1870, Bought John Ruskin; Mr & Mrs Arthur Severn sale, Sotheby's, May 20 1931 (16), bought Miss Millais; Christie's, 7nov 1947 (80), bought Fine Art Society; Anonymous Christie's, 23 July 1974 (74), Anonymous Christie's, 17 June 1975 (148) Withdrawn
Exhibition history
- Old Watercolour Soc. 1870 (58); Fine Art Society, Holman Hunt, 1886 (21); Walker Art Gallery, The Art William Holman Hunt 1907 (7); Liverpool, Walker Art Gallery, and London, Victoria and albert Museum, William Holman Hunt, 1969, (213); Royal Academy of Arts Impressionism 1974 (17)
Publication history
- E. T. Cooke 7 A. Wedderburn The Works of John Ruskin, 1903-12, vol XXXVII, p. 20; Old Watercolour Soc. Club, 1935-6, pp. 18, 19, 35; A. N. L. Mundy, Letters of British Artists of 18th and 19th Centuries, The Connoisseur, Dec. 1948 p. 103; Christie's 23 July 1974
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number753905
Archival context
Object numberPA-F08041-0005
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: Foreign
- Item:Sunset At Chimalditi
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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