Ugolino: 'does Thy God, O Priest, Take Such Vengeance As This '
Represented work of art
Artist
William Blake
((1757–1827))
Material
Dimensions0.25 x 0.36 (9 3/4 x 14 1/4)
Provenance
- Mrs Blake; Frederick Tatham, sold Sotheby's, 29 April 1862 (part of lot 174), Col. Gould Weston; Alexander Anderson Weston by 1876; His widow, Anonymous sale, Christie's, 28 June 1904 (11) unsold; Mrs Weston; Mrs William W. Vaughan ( by gift from the above circa 1920), By descent to present owner, Anonymous sale, Sotheby's, 13 November 1980 (106 -q. V. Cat. ), Bought Sommerville and Simpson for; Kunsthalle, Hamburg.
Exhibition history
- The Works of William Blake, Burlington Fine Art Club, 1876 (8)
Publication history
- William Rossetti, An Annotated Catalogue of Blake's Pictures and Drawings in Alexander Gilchrist's Life of William Blake's, 2nd Edition 1880, p. 275 list 3, no 1; Archibald G. B. Russell, The Engraved Works of William Blake, 1912(p. 63); Albert S. Roe, Blake's Illustrations of the Divine Comedy, 1953 (p. 133); Butlin cat 208
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Archival context
Object numberPA-F08123-0171
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F08123
- Item:Ugolino: 'does Thy God, O Priest, Take Such Vengeance As This '
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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