The Field Of The Cloth Of Gold
Represented work of art
Artist
Hans Corvus
Dimensions1.689 x 3.473 (66 1/2 x 136 inches)
Provenance
- Recorded in King's Privy Gallery at Greenwich at time of Charles I; sold to Captain John Stone and others 23 October 1651; recovered at the Restoration and placed in King's Privy Gallery at Whitehall Palace; thereafter at Windsor; H. M. The Queen (Hampton Court 520)
Exhibition history
- Royal Academy, King's Pictures, 1946 - 7 (506); Erasmus 1969 (267); National Portrait Gallery, London, 'The King's Good Servant' Sir Thomas More, November 1977 - March 1978 (67)
Publication history
- Sir O. Millar, The Tudor, Stuart and early Georgian Pictures in the Colln. of H.M. the Queen, 1963, no. 25; S. Anglo, 'Le Camp du Drap d'Or', Les Fêtes de la Renaissance, II, 1960, 113-34; Joycelyne G. Russell, The Field of the Cloth of Gold, 1969
Photographic source
Object FormatPhotographic Print
Photograph Source
Royal Collection Trust
Negative Number143135
Archival context
Object numberPA-F08196-0003
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F08196
- Item:The Field Of The Cloth Of Gold
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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