Group Portrait Of Walter, 4th Lord Aston Of Forfar (1661-1744) With His Wife, Mary, Daughter Of The Duke Of Norfolk And Seven Children (detail Of L.R. Corner Showing Margaret, 'a Nun At Paris' And Walter Who Died Unmarried)
Represented work of art
Artist
Richard van Bleeck
Dimensions120 x 144 inches
Inscription
- Inscribed: Charles Died unmdated/ Catherine md to -Weld of Lulworth Castle Esq. /Walter, 4 Lord Aston Died 1747/ Thomas Died Unm"d/James 5 Lord Aston Died 1751/ March Lady Aston Only sister to Thomas and Edwdated Dukes of Norfolk ob. 1723/ Eleanor Died Unmdated/ Margaret A nun at Paris / Walter Died Unmdated
Provenance
- The Lordship of Standon (Vertue IV, p. 56 as by Van Blyke Sr. Burton Constable
Photographic source
Object FormatPhotographic Print
Photograph Source
Courtauld Institute of Art
Negative NumberB95/598
Archival context
Object numberPA-F08147-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F08147
- Item:Group Portrait Of Walter, 4th Lord Aston Of Forfar (1661-1744) With His Wife, Mary, Daughter Of The Duke Of Norfolk And Seven Children (detail Of L.R. Corner Showing Margaret, 'a Nun At Paris' And Walter Who Died Unmarried)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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