View From Sir William Hamilton's Villa At Portici Showing The Promontory Of Miseno, The King's Palace And The Isle Of Capri
Represented work of art
Artist
John Robert Cozens
Material
Dimensions0.26 x 0.375 (10 5/8 x 14 3/4 inches)
Subject
Provenance
- William Beckford; Christie's, 10 April 1805 (37) The Palace at Portici Bay of Naples and island of Caprea-Sir J. C Robinson; Christie's, 21 April 1902 (24) : J. F. Rowlatt; Mrs J. A. Howard his daughter; Sotheby's, 27 June 1951 (7) bought form Agnew's by Ray Murphy through Paul Oppé 13 July 1951; Anonymous sale, 19 November, 1985 (12) Christie's.
Exhibition history
- Burlington Fine Arts Club Drawings by John Robert Cozens 1923 (30) pl XVI
Publication history
- C.F. Bell and T. Girtin The Drawings and Sketches of John Robert Cozens The Walpole Society XXIII 1934-5
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number59516
Archival context
Object numberPA-F07356-0045
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes; Italian; Identified, N-Z
- Item:View From Sir William Hamilton's Villa At Portici Showing The Promontory Of Miseno, The King's Palace And The Isle Of Capri
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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