Dedham Vale: View of Langham Church From the Fields Just East of Vale Farm, East Bergholt
Represented work of art
Artist
John Constable
Dimensions13 1/4 x 20 inches (33.5 x 5-.5 cm)
Inscription
- Inscribed "John Constable" on label, verso
Provenance
- probably bought from the artist by J. B. Chamberlin, 1830; by descent to his stepson Pearce; from whom purchased by Wynn Ellis; given by him to Mr Wright by 1876; with Sedelmeyer, Paris (bt by George A. Hearn in 1892), his sale American Art Association, New York, 25 February -1 March 1918 (369) (bt by Lorenz on behalf of Mr and Mrs Robert Jackson, Concord, New Hampshire), by whom given to William Martin; by descent to his daughter Nancy Ross Martin by 1984; by whom it was purchased by Peter H. Davidson and Co, New York; with Salander-o'reilly Galleries, New York from whom purchased by the present owner in 1987; Property of a Private Collection; Anonymous sale, Sotheby's London, 4 December 2008 (47), Anonymous sale, Sotheby's London, 8 July 2010 (241)
Publication history
- G. Reynolds, The Early Painting and Drawings of John Constable, 1996, no. 08. 58, ill. No. 739
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F08247-0157
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F08247
- Item:Dedham Vale: View of Langham Church From the Fields Just East of Vale Farm, East Bergholt
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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