Sir Anthony Browne Wearing The Order Of The Garter
Represented work of art
Artist
Unidentified Creator
Material
Dimensions0.925 x 0.775 (36 1/2 x 30 1/2 inches)
Subject
Inscription
- Inscribed: He lyvygne was all at one tyme and to his deathe master of the horse of Kynge Henry the Eyght: and after to Kynge Edward y Syxthe: Capytayne of Bothetheyre maiestes gentleman pentioners. ; Chefe Standar Bearer of England Iustice in oyerm of all theye forrestes, parkes and chases beyond the ryver of Trent northwoard lentenaint of the forrestes of Wyndsor Wolmar and ashdowne wyth dyvers parkes and chases southward one of the executors to Kynge Henry the Eyght on of theyre maiestes honorable prive counceil and knyght and companion, of the most noble order of the garter. ; A Further Inscription: q. V. Catalogue, Sothebys, 15 March 1978 (61); The sitter was the son of Sir Anthony Browne and Lady Lucy Nevill and was knighted in 1523. ; Two Other Versions of this picture are recorded but this one differs in showing teh Garter Badge.
Provenance
- John Walter Harvey's Estate, 15 March 1978 (61), Sotheby's
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM18226
Archival context
Object numberPA-F00905-0113
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Unidentified Artists
- Folder:Portraits: Male A-B
- Item:Sir Anthony Browne Wearing The Order Of The Garter
ClassificationsArchival Document
Scope and contentThis is a collection of works by unidentified artists. The historic period covered is 1500-1900 with particular emphasis on the eighteenth century. The photographs are predominantly of oil paintings but watercolours, drawings, prints, miniature paintings and silhouettes are included. There are files on royal portraits, male portraits, female portraits, group portraits, British school miniatures and silhouettes, British landscapes, foreign landscapes, seascapes, animals, allegorical and still life, interiors, miscellaneous designs, miscellaneous engravings, miscellaneous paintings and drawings.
Acquisition informationPhotographs have been actively acquired by the archive from The Courtauld Institute of Art photographic survey, sale rooms, museums and galleries. The files include original photography commissioned from our own in-house photographer, Douglas Smith (1964-1996) for Paul Mellon Centre publications for which we still hold the negatives.
ArrangementAll photographs are dry mounted on manilla card with essential information recorded, artist, title, collection and source of photograph with a varying degree of information on provenance, literature exhibiting history, inscriptions and related prints. The archive is primarily black and white although in recent years with the development of digital photography we hold some colour material.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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