Study of a Horse's Head for the Equestrian Statue of William III in the Queen's Square, Bristol
Represented work of art
Artist
Michael Rysbrack
Dimensions0.159 x 0.121 (6 1/4 x 4 3/4 inches)
Work type
Subject
Technique
- drawing (image-making)
Inscription
- Signed: Rysbrack, Inventor
Provenance
- Leonard G. Duke (1890–1971) sale, Sotheby's, 29 April 1971 (136), bought Cyril Fry (1918–2010); Anonymous sale, Christie's, 8 June 1976 (71)
Exhibition history
- Bristol Art Gallery, Exhibition of Stuart Drawings, 1952 (52)
Publication history
- R. Gunnis, Dictionary of British Sculptors, n. D. , P. 336; M. I. Webb, Michael Rysbrack, 1954, Ch. VII, (pl. 66); M. Whinney, Sculpture in Britain, 1530-1830, 1964, (p. 61); Arnold Wilson, Rysbrack in Bristol, Apollo, Jan. 1976 (p. 23);
Previous owner
Leonard G. Duke
(1890 - 1971)
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number773488
Archival context
Object numberPA-F00962-0043
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Sculptors, A–Z
- Folder:Drawings: Miscellaneous
- Item:Study of a Horse's Head for the Equestrian Statue of William III in the Queen's Square, Bristol
ClassificationsArchival Document
Scope and content This series comprises images of works by sculptors who were British by birth, foreign sculptors who worked in Britain or on British subjects. The sculptures featured date from c.1600 to c.1900. Images are primarily of sculptures, but also feature sketches for sculptural projects. Images remain in their original order: organised A–Z by sculptor. There are separate boxes for the following sculptors: Bacon Junior and Senior, Chantrey, Flaxman, Gott, Nollekens, Roubiliac, Rysbrack, Scheemakers and Wilton / Wyatt.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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